第82节 (第1/2页)

    【】neesfroerverliontowers;

    thelightfloodsthepalacebowers.

    totheurtshees,andonhercarvedjadehairpin

    alightsadragonfly,assheisuntingtheflowers.

    thelinessuggesttothereaderthebeautyandfragrahofthecarvedjade

    hairpinandoftheladyherself,abeautyandfragrancehedragonfly.

    frohisiressionistiethodofsuggesting

    thoughtaintsboliking.thepoetsuggestsideas,not

    byverbosestatentsbutbyevokingaodsthereaderinthattrainof

    thought.suchthoughtsareasindefiheseisclearand

    vivid.piuthe

    saainchordsintheosuggesttheentrance

    ofharacters.logically,thereislittleioheseryandthe

    nsihoughts,butsyolicallyaionally,thereisaion.the

    thod,calledhsing,orevocation,isasaasthebookofpoetry.intary,

    forinstanbolic

    thod,entionihoughtstheelves.thushe

    pastgloriesofnankinginthefolloannerinhispoenapaintingof

    ling:

    therainontheriverisstlike,andthegrassonthebanksishigh.

    thesixdynastiespassedlikeadreaandforlosthebirdscry.

    stheartlessofallarethehepalacewalls,

    evennoilegreen,luridresplendourtheylie.

    thesilelongindhis

    nteorariesofthepastgloriesofostgloriousdays,andthe

    ntionofthe”heartlessanvicissitudesand

    naturesserenity.bythesateique,poghtiyi772846expressedhissadness

    overthepastgloriesoftangnghuangandyangkerelydrawinga

    piberidsgossipingiedpalace,

    houtoingintothedetailsoftheirdisurse:

    hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

    ierialflo.soberidsarechatting.

    e.

    ihedecayoftheblae

    eofthegreatilies:

    noheredsparroing,

    andontheblackgoheevningsunisglowing,

    andtheshewangandhsiehhalls,

    nonpeopleshos梬ithouttheirknowing.

    thelastandstiortantpointistheiofnaturalobje

    aotions,notbydirectpersonificationbutbying

    taphors,like”idleflohesadhechafingsparroc.the

    taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

    etiohesotiontoliveand

    sharehisople,he

    threelelonggayandgreenoas”heartless”