第95节 (第2/2页)

aintii

    fundantalstrokesofing.ifthereisohis,hewill

    realisethatthesee.”

    itseetothatand

    position,standsiiontopaintingaspuretheticsstandsiionto

    engineeringorastrono.inappreciatingesecalligraphy,theaniirely

    fotten,andthelinesandforareappreselves.inthis

    cultivationandappreciationofpureposition,

    therefore,theairedevotiontopurefors

    such,asapartfrotent.apaintinghastonveya,butaten

    charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

    field,everyvarietyofrhythasbeeeduponaypeofstructure

    hasbeenexplored.theientpossible,andtheeseters,heoretically

    squarebutareposedfroheoddestelents,presentaninfinitevarietyof

    strusustsolveforhielf.thus,through

    calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

    force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

    ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

    toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

    sotiseveyinslouessularity.thustheartofcalligraphy

    providesasofaesthetiiationayhe

    basesofesenotionsofbeauty.

    asthisarthasahistoryofhousandyears,andaseveryertriedto

    distinguishhielfbyaructure,therefore,incalligraphy,if

    inanythioftheeseartistid.

    certaintypes,suchastheyularityorofaforevertoppling

    structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

    theresobehtypesarenoteasilyseeninotherfieldsofeseart.

    isofsignificetotheisthefactthat,notonlyhasitprovidedthe

    aesthetiisticipleaybe

    stfruitfulofresultsoodandapplied.asstated,ese

    andforandithasdoneso

    byderivingitsartistinature,espeals梩

    hebranflohafehespringing

    bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

    sihofthehorse,

    ...