第97节 (第1/2页)

    in

    sizeandposition.thisprinalledshift,or”posture,”sabeauty

    ofntutheresultisthat,inthehighestexalesofthisart,wehave

    strusinglyunbalandyetsohoaintainthe

    balanayofrelystatic

    proportionsisthediffereanstandingorsittingina

    restingpositionandthesnapshotofansick,orofafootball

    playersenttheballsthroughtheair.justasthepictureofalady

    tossingherheadisresuggestiveofventthanonehherheadonastraight

    level,sotheesetersteopstiltedtoonesidearepreferred

    artistietricalhead.thebestexalesofthistypeof

    struenglung,ers

    givetheeffectofbeingalainin

    balahisstyleistobeseenintheingsofyu

    ylijen,chairnofthentrolyuan,positionverylargelyto

    hisrenoofhighorder.

    deartisinsearsandexperintingonnesofstructureand

    pattes.ithasnotfou.ithassupressiontoesostapparentteristicistheeffort,notto

    sootheusbuttojaronoursenses.forthisreason,astudyofesecalligraphyand

    itsanistisofthenaturalworldin

    thelightofthisanistiicvitality,givesproseofgreat

    possibilities.theprofuseusehtlines,planes,arikiher

    atdifferentangleslyexciteus,buttheyeverbealivehbeauty.these

    plaraightlinesandtohaveexhaustedthede

    artistsiy.aiforsoeartistto

    strikeapiohbypractisingenglishcalligraphyyears,

    andthen,ifheistalentedandreallyuandstheanisticiple,hewillbe

    abletoessquare,inlinesandfortrulyhyofthe

    naofanart.

    thefullsignifialligraphyasthebasisofeseaestheticswillbe

    seeninastudyofesepaintingandarture.inthelinesandpositionof

    sandstructuresofesearture,weshallbe

    abletheprinesecalligraphy.thesebasic

    ideasofrhythforndatspheregivethedifferentlinesofeseart,like

    poetry,painting,arture,porcelainandhousederations,aialunityof

    spirit.

    iii.painting

    esepainting,thefloure,isdistinguishedbyaspiritandan

    atsphereallitso

    epoetry.thatdifference

    ishardtograspandexpress.ithasaosphere,visibleine

    painting,butessentiallydifferentandachievedbydi